The pitch algorithms can be used to create layered harmonies and arpeggios, while the swelling reverbs and heavily modulated delays conjure up atmospheres that you might not have thought possible from a guitar. There are tape-style delays, amp-style reverbs and 80s-style chorus sounds, but it’s the more extreme effects that really mark this out as a special piece of kit. The two key points to reiterate are that the audio quality is consistently fantastic – there’s a pristine clarity at the heart of everything this unit does – and that the scope for creativity is almost overwhelming. The answer is very zany indeed, but we won’t dwell too long here because these are the same sounds we heard from the original H9 last year. Reviewers are not paid to be sensible, so we begin with the usual process of plugging straight in (manual, what manual?) and zipping through the factory presets to see just how zany this thing can get. Both of these can be upgraded with additional algorithms at $19.99 each, thanks to the magic of the internet, but the simplest and most satisfying solution – assuming that you’re not concerned by such minor trivialities as cost – is surely to cut straight to the Max version. The standard H9 (£479) takes eight of its nine algorithms from those pedals, the ninth being an UltraTap delay that isn’t found anywhere else the H9 Core is a cheaper option at £359, which comes with just pitch and delay effects. A more obvious link is to the current TimeFactor, ModFactor, PitchFactor and Space units, Eventide’s first forays into floor-dwelling effects. Eventide has been making pro studio processors for 40 years, and the bloodline of the H9 series traces right back to the original H910 Harmonizer, one of the very first devices to offer digital pitch manipulation. And, yes, it also alludes to a recommended retail price that can be described only as spectacular.īear in mind, though, that this is very far from being an ordinary stomper. What we’re looking at here is, in fact, an identical enclosure but the addition of the word `Max’ denotes a whole new level of sonic potential on the inside – including access to Eventide’s new distortion algorithm, CrushStation. If you want a good, concise run-down of what it does then the H910 page on Eventide’s site is a good place to start.Does this look familiar? Back in June 2014, we reviewed a little white box called the Eventide H9, which blew us across the room with its studio-quality delays, reverbs and pitch-shifting effects. It’s the Bowie/Visconti snare sound – for us that’s enough right there… The game-changing quality of what Eventide did is evident from the fact that the sound still in demand enough for Universal Audio to develop a plug in. Zappa, Bowie, AC/DC and a slew of other artists made use of it. See all our current Eventide listings, and if you don’t see the model you need then check the stock sheet, or get in touch to reserve the next one available.Ĭombining pitch change with delay and feedback, when it was released in the mid-70s it was the first commercially available digital effect. We’re totally hooked on these Eventide boxes – both this one and the H949. We have found that nearly all units sold as “working” are not operating correctly they may make interesting noises, but are a long way from fully-functional unpicking “damage” done by previous technicians is laborious and usually necessary to restore them to original spec. These machines require a serious amount of work to bring them back up to full operational order, not to mention the many, many hours of tech time that we’ve invested in understanding their design and construction. We know (and love!) these boxes and have great experience in delivering them in superb operational order buy with confidence. ![]() This unit is covered by our standard 3 month warranty access to our tech/service support available to the original purchaser thereafter.Ĭompletely overhauled by an early Eventide specialist and subjected to rigorous and extended testing in our studio before shipping. As one of our customers said, it is more akin to adding another instrument to your set-up than just another effect. ![]() ![]() Can be extremely difficult to work on but they are worth the considerable effort, time and tech’s brain cells. ![]() Swapping to 120v may be possible – please get in touch for more information. The other has more signs of age/use (and is cheaper) – see the site or get in touch for details. One of two we have available for sale right now. It will ship within 15 working days of purchase. NOTE: This unit has been overhauled and is now in the final stages of testing.
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